My work begins in the space between what is visible and what is felt.
I am interested in duality—the physical and the spiritual, the familiar and the mysterious, what we reveal and what remains hidden. Through color, texture, layering, gesture, and symbolism, I create images that often feel like thresholds: places where one world seems to dissolve into another.
My roots in Colombia are an important part of this language. Nature, saturated color, memory, family, and the landscapes I carry with me continually return to the work. Plants, bodies, animals, and organic forms become more than subjects; they become vessels for memory, identity, transformation, and connection. At times these references are recognizable, and at others they are fragmented, scratched away, covered, sewn together, or allowed to emerge only partially.
I am drawn to mystery because I do not believe everything needs to be understood to be felt. I want the work to hold something just beyond explanation—to create enough familiarity for the viewer to enter, while leaving enough unanswered for them to stay.
Whether I am working on canvas, paper, or transforming an architectural space through a mural, I am ultimately interested in creating an experience. Color becomes energy. Layers become memory. A surface can become a portal.
My work is deeply personal, but I do not want it to end with my own story. I use my world as an entry point into something more universal, inviting the viewer to encounter their own memories, questions, contradictions, and inner landscapes within it.
For me, art exists somewhere between what I bring to it and what you discover there.